London – One Cabot Square
Around 5,000 employees work for Credit Suisse in Canary Wharf, London. The high-rise dating from the 1980s was fully renovated between 2015 and 2019. This also resulted in a new art display being created. For example, the client zone on the seventh floor brings together works from the existing collection and new acquisitions purchased in collaboration with the local Credit Suisse art committee. This gave rise to a broad variety of subject matter and works from different periods, aptly reflecting the cultural diversity for which London is renowned.
Magali Reus, Sentinel (Rosewood), 2017, mixed technique, 155 x 160 x 45 cm / Claire Hooper, Untitled, 2015, watercolor and pencil on paper, 140 x 140 cm
Battle Of The Trees (Amid Fires That Singe), 2017, oil on canvas, 230 x 180 cm
Einfacher Ausdruck [Simple expression], 1994, gesso and ink on paper on canvas, 120 x 140 cm
William Henry Williamson, Wreckers off the coast, 1878, oil on canvas on wood, 25 x 40 cm / Samuel Smith of Worcester, Snowdonia, North Wales, with travellers on a rocky path, 1819, oil on canvas, 110 x 135 cm
Untitled, 2011, glazed and fired clay, 2 parts, 19 x 48 x 50 cm and 57 x 43 x 43 cm
Intro, 2018, polyurethane resin, steel, spray paint, and paintwork, 126 x 35 x 50 cm
from left to right: Roses, 2018, oil on MDF, 32 x 42 cm / Sev, 2018, oil on MDF, 42 x 32 cm / Doux souvenir [Sweet memory], 2018, oil on MDF, 36 x 30 cm
from left to right: Red Cape, 2018, pencil, watercolor, and gold on paper, 31 x 23 cm / Bunker, 2015, pencil, ink, and watercolor on paper, 31 x 23 cm / Constellation, 2018, watercolor on paper, 53 x 33 cm
Magali Reus
Sentinel (Rosewood), 2017, mixed technique, 155 x 160 x 45 cm
Left: Magali Reus / Right: Claire Hooper
Magali Reus, Sentinel (Rosewood), 2017, mixed technique, 155 x 160 x 45 cm / Claire Hooper, Untitled, 2015, watercolor and pencil on paper, 140 x 140 cm
Stefania Batoeva
Battle Of The Trees (Amid Fires That Singe), 2017, oil on canvas, 230 x 180 cm
Stefania Batoeva
Untitled, 2018, pencil on paper, 3 parts, each 42 x 30 cm
Lenz Klotz
Einfacher Ausdruck [Simple expression], 1994, gesso and ink on paper on canvas, 120 x 140 cm
Sam Windett
Biker III, 2016, oil, acrylic, and collage paper on canvas, 109 x 195 cm
Sam Windett
Reverse Rise A-IV, 2017, oil, acrylic, and collage paper on canvas, 80 x 55 cm
Lucy Stein
Female knight, 2017, oil, oil pen, pastels, and charcoal on canvas, 160 x 180 cm
Lucy Stein
Untitled, 2018, acrylic, ink, and gouache on paper, 2 parts, each 29.7 x 42 cm
Left: William Henry Williamson / Right: Samuel Smith of Worcester
William Henry Williamson, Wreckers off the coast, 1878, oil on canvas on wood, 25 x 40 cm / Samuel Smith of Worcester, Snowdonia, North Wales, with travellers on a rocky path, 1819, oil on canvas, 110 x 135 cm
Various artists
View of the foyer with paintings and model ships
Fabian Marti
Untitled, 2011, glazed and fired clay, 2 parts, 19 x 48 x 50 cm and 57 x 43 x 43 cm
Georg Aerni
Ha Kwai Chung, 2000, chromogenic print on aluminum, 124 x 156 cm
Georg Aerni
Leipzig, 2005, chromogenic print on aluminum, 62 x 78 cm
Eva Rothschild
Intro, 2018, polyurethane resin, steel, spray paint, and paintwork, 126 x 35 x 50 cm
Sina Oberhänsli
from left to right: Roses, 2018, oil on MDF, 32 x 42 cm / Sev, 2018, oil on MDF, 42 x 32 cm / Doux souvenir [Sweet memory], 2018, oil on MDF, 36 x 30 cm
Rachel Goodyear
from left to right: Red Cape, 2018, pencil, watercolor, and gold on paper, 31 x 23 cm / Bunker, 2015, pencil, ink, and watercolor on paper, 31 x 23 cm / Constellation, 2018, watercolor on paper, 53 x 33 cm
Yoan Mudry
Dialog with Marbriers, 2013, acrylic and oil on canvas, 80 x 60 cm
Sebastian Lloyd Rees
Hoarding, 2018, industrial paint, plywood, air pollution, 200 x 174 cm
Boris Rebetez
Sentence Nr. 1, 2017, painted steel, 68 x 88 x 24 cm
From left to right: Daniel Gaemperle / Josef Ebnöther / Caro Niederer
Untitled, 1996, mixed technique on cardboard, 24 x 32 cm / Untitled, 1979, lithography, 2 parts, each 70 x 50 cm / Untitled (Matterhorn, Rheinfall), 1991, oil on cardboard, 5 parts, each 18 x 24 cm and 24 x 18 cm
Wilhelm Lee
Abstract, undated, oil on canvas, 127 x 79 cm
Mizette Putallaz
Untitled, 1995, oil on canvas, 105 x 105 cm
Around 5,000 employees work for Credit Suisse in Canary Wharf, London. The high-rise dating from the 1980s was fully renovated between 2015 and 2019. This also resulted in a new art display being created. For example, the client zone on the seventh floor brings together works from the existing collection and new acquisitions purchased in collaboration with the local Credit Suisse art committee. This gave rise to a broad variety of subject matter and works from different periods, aptly reflecting the cultural diversity for which London is renowned.